10 UK Hip Hop Tunes To Self Isolate To
In an era where various apocalypses have been steadily coming to the boil for a while and world powers have been successfully employing an ignore-them-and-hope-they-go-away strategy, some gully underdog virus has just sneaked up repping Wuhan Scran and put global governments and economies in a chokehold. We’re all just starting to realise a little too late that this might actually be serious and people far and wide are understandably shook. UKHH.com has no solutions for this fuckry, but someone with no medical knowledge whatsoever once said that music heals all. So here’s 10 selections to weather the shitstorm to…
Kyza – The Cure
While a potentially deadly virus that’s storming unwantedly into personal spaces worldwide like an ugly guy at an orgy and crashing the global economy in the process is fully grim… We’re trying to find positives. Example: Sat at home instead of going corona-networking in Brixton this evening, I wandered aimlessly though Spotify and found an entire Tron inspired LP by UK heavyweight Kyza that for some reason I never knew existed. Fittingly the final tune is titled ‘The Cure’. Cue more digging for unheard gems and rewatching the Tron films during the inevitable nationwide lockdown.
Fliptrix – Survival
“Panic Panic, Time to hit the shop and loot it!”….
This one is dedicated to the dude spotted in Bath wearing full camo hazmat gear carrying 27 rolls of super soft bog tissue. Also honourable shout outs to…
1. All the people who, I shit you not, actually panic bought all the crates of Corona in Dagenham Lidl yesterday.
2. Anyone who has stockpiled a gallon of hand sanitiser while intending to stay at home where they have running water and soap.
3. Anyone who goes for a cheeky riot/loot once we hit week 2 of martial law.
Also very underrated Fliptrix banger.
Genesis Elijah – Roni Rap aka The Coronavirus Rap
Finger on the pulse as ever, Genesis Elijah hits the nail firmly on the head and then sanitises the hammer. General Levy seems to have grabbed the accolade of first fully corona themed anthem with the rough version of ‘Corona Crisis Dub’ appearing in January (DnB fans check the Selecta JMan Refix which has surfaced a few days back). As far as we know though, our Gen gets the credit for first COVID-19 focused hip hop bars.
Any tune by Dr Syntax.
The guy’s a doctor. Duh. So logically it follows that if you listen to his full discography while quarantined or tripping out with a heavy fever, there’s probably something in there resembling useful medical advice. Plus, as the well-spoken gent of the UK hip hop scene, his bedside manner is impeccable.
Also a doctor. Realise I’m stretching this at this point. For any who don’t know, Zy is the physician behind a long list of bangers with production credits for names from Cult of The Damned to Harleighblu and most famously as a long time King Kashmere collaborator and one half of Strange U. He has no cure for your lurgy.
Virus Syndicate ft Document One – Cold World
Feel like this one needs little to zero explanation. The whole world is currently succumbing to the red hulk of all colds. Pathogen experts Virus Syndicate saw this shit coming way back in 2013. Admittedly this tune gets pretty dubstep for a supposedly hip hop themed list, but the genre straddling crew always had hip hop as a core element to the style, which means we kind of think of them as one of our own.
MysDiggi – Mystrogen
The title track off the thoroughly ill 2012 album from MysDiggi. Since there is perplexingly no Wikipedia article on this miracle drug, team UKHH can offer no information of its exact chemical make-up. We do know that it cures blindness, depression, hair loss and heroin addiction, tames wild animals and gives Stellas their groove back. So fairly confident it makes corona virus it’s bitch. Not available at standard retailers but shout Mys for some of his stockpile.
Vinyl Dialect – Lock this down
Want to feel triumphant about preparations when the inevitable day comes when we’re all told to lock ourselves in our houses and ride out the bat-flu storm? Ignore your powerless reality, put on this old school diamond and bop around cataloguing your tinned food with the air of someone who’s doing it because you want to.
Verb T & Pitch 92 – Cold Case Feat. TrueMendous
This one seems appropriate on a few levels. Aside from the obvious fact that this list is mostly composed of tracks with names that can be loosely linked to the viral issue at hand… It also features a beat by Pitch 92 that sounds appropriately tense for the current culture of fear and a video with Verb T and TrueMendous demonstrating how to make people not want to stand next to you on the tube.
Herma Puma – Space to Breathe ft Rider Shafique
Stuck with daily public transport during the pandemic? Fuck a facemask. Get a boombox instead and loudly play the hook from Herma Puma’s ‘Space to Breathe’. For extra space-clearing whammy; convincingly fake a cough and sweat profusely.
DISCLAIMER: If you think you have contracted corona virus, please do not rely on rappers. Call 111 from the isolated safety of your home and they will give you better advice.
10 Times Whoever Made the Video Took All the Acid
Hip Hop, the drug culture and mind-bending visuals are no strangers. Here’s a list celebrating instances of UK Hip Hop talent taking that ball and running with it.
Dabbla feat Jam Baxter: Vomit
This one is a mindfuck and a half to look at. According to our resident videographer, it looks like Vomit was shot with the higher frame rate used for slow motion but then wasn’t slowed down. The effect is a visual simulation for the soberest brain of the kind of sharply contrasted, flickering perspective on surroundings that you might find yourself staring down the barrel of if you emerged nonplussed into the daylight after taking MDMA and ketamin for 12 hours. In addition to the artificially replicated sense of chem induced brain overload, the video boasts some sweet panda torture, dilated pupils, neat vodka swigging and Dabbla being sick at the end.
Video Credit: Vikki Digby-Johns
Earthworm Grim and Goosewater: Bleed Bleed
While it would have been a load less varied, this list could have been sourced entirely from shuffling one YouTube channel. The back catalogue of Manchester’s Blah Records has way more than 10 videos that look like along with a big bag of mushrooms, creative control may have been given to a complete space cadet. Putting out messy, kaleidoscopic videos that look like they’re intentionally shoddily shot on a camcorder from 1990 is something of a trademark of the label. This one by Earthworm Grim (One of Lee Scott’s alter egos) makes for particularly perverse watching. There’s not actually a whole lot going on in this at all. Man in mask cut out of a bedsheet, clutching a teddy, ambles around the undergrowth at dusk like a mentalist. That’s it. There’s just something bare creepy about the final product.
Video Credit: Directed by Lee Scott Filmed by Lyza
Task Force: My Last Trip
Admittedly, a lot of what is weird as shit about this video is the instrumental and Chester’s lyric itself. There’s something quite David Lynch circa 1977 about the monochrome shooting style of the video though. Coupled with P’s pranged out performance in all its dribbling, lizard eating, floor hugging, door humping, gimp mask wearing glory, this all makes for a suitably unsettling watch.
Video Credit: Farma G
Everything by Strange U
The clues in their name. Picking one would be arbitrary. So, to choose which video to embed we wrote the names of all of them on our wall, blindfolded a child and made him throw darts at them until he hit one. No infants were harmed in the selection of this visual.
Video Credit: Jimi
Lunar C – Chicken
Bradford’s vulgar jokester, Lunar C, got particularly odd with the video for Chicken. The result looks like what would have happened if he’d directed the sequence from Requiem for a Dream where the drug addled mum completely loses her shit. All centred around a seriously unsavoury dinner with C’s seemingly possessed family as they dig into a roast that consists mainly of pills, the video for Chicken comes complete with unnerving gazes, twitchy faces, twisted lighting and some mind warping wallpaper. Watch out for the exchange between everyone after the tune ends, as it’s the most bizarre bit of the whole thing.
Video Credit: Kill Money
Check out 6-10 on the next page
Strange U #LP4080 Review
Presumably at some point at the start of this strange decade we have been living in, Kashmere the longstanding man of a thousand names decided that there was a gap he was compelled to fill in the UK hip hop scene. While this is entirely speculation, I imagine an epiphany moment down a deep rabbit hole induced by days of acid at which point the Iguana Man realised that it was his responsibility to take on the mantle of the UK’s answer to MF Doom. Emerging from this entirely unsubstantiated spirit quest, he set about creating a soundscape and new identity typified by heavily psychedelic melodies, jarring beats, poetically dislocated topics and imagery and then even threw in the Marvel Comics inspired mask for good measure.
The shit works for him. Choosing to do something so ambitious and managing for its stylistic similarities to come off as more of a nod to Doom than jacking his style is no small feat. While comparisons to Doom are unavoidable, Kashmere and Zygote’s Strange U are not a tribute act in the slightest and carve out a take on the Doomesque approach to hip hop that is distinctively UK and markedly more raw with a heavier drive and weirdly loose bangers abounding.
Strange U emerged with their first EP in 2013 shortly followed in 2014 by EP #2040. Not too hard to muster up a connection here. Bar a few singles in between, #LP4080 is the first Strange event in the last few years. After a chunky waiting period the first full length album is finally here and the good news is that it’s sick.
From start to finish, Kashmere lyrically bobs and weaves. Balancing the deep and the ridiculous, he manages for the most part to maintain an ability to surprise throughout. Although as that’s what I’ve come to expect from Kashmere I guess the fact that he does isn’t that surprising. In terms of topics, #LP4080 in some way or another has the tone of a comic nightmare all the way through, tempering a terrifying outlook of people, culture and where the world is heading with beatscapes and lyrics that revel in embracing the ridiculous.
It’s probably a sound decision in light of the chaotic imagery cascading through the verses that Kasmere (aka Obiesie Adibuah) as standard opts to break up the insanity with hooks of a simpler nature. In opposition to the weird wordsmithing that forms the bulk of the tracks, the choruses generally take the form of a perverse phrase on repeat soaked in delay. The function of this often acts as immersing the listener in attempts to clutch at the meanings tied together in the verses before throwing the overall abstract meaning of the song in their face in its simplest form. Equally useful in breaking up the verbal assault are the couple of odd instrumental tracks where Zygote masterfully adds a surreal intermission.
Doctor Zygote deserves props for consistently bizarre production. Strange U’s instrumental sound has forged a distinctive style since their first releases, typified by sounding like retro video games and the far future simultaneously. Zygote throws together a mix of 8-bit sounds, cinematic samples, chugging bass lines and off kilter kicks and hi-hats that creates a width and depth to the tracks which fully immerses the listener. Everything sounds crisp as fuck while being laden with enough echoing effects to vary between sounding like travelling down deep tunnels to riding a satellite through space. All this adds up to creating a sound for Strange U which has the feeling of a current view of our future phrased from a sonic platform a few decades in our past. It’s like an audio version of watching cult sci-fi horror movies from the 70’s and 80’s.
The LP boasts a solid number of stand out tracks with a range of different strengths. Terminator Funk is a great opener. Lurching forwards like a giant robot on a mission, it’s a stomper that it’d be sick to see live. It’s not the only head nod tune on the album. Other examples come in the guise of the tongue in cheek braggadocio of Grizzle and contrasting hilarious self mockery of penultimate track Waste of Space where the Iguana Man departs from his oddly dark musings on present and future to childishly take the piss out of himself in lyrics like; ‘This ain’t a Freddy mask, this is my face, I’m a loser, I might try living in space. Never been a popular guy, I was only trying to say hi and I got rocked in the eye, Never ask me how the music is going, It’s going terribly, I think about quitting this bitch and going therapy.‘
Mumm Ra, King Kashmere’s ode to a monster is probably the biggest banger of the project. Lyrically its one of the least elusive tracks on the album with the subject matter chronicling a lust turned to hate tale with a horror story as its vehicle. The vocal journey works perfectly on a driving bass and beat combination that from its drop is reminiscent of what was so sick about hearing Tribe’s We The People not so long ago.
The horror theme rears its multiple contorted heads repeatedly as #LP4080 progresses, phrasing different facets of itself deftly. Darkly sci-fi imagery is commonplace over the course of the album, most prominently when painting twisted future portraits on Eden’s Husk ft Jehst where the two genre heavyweights paint a dismal view of a burnt, toxic world in the year 2050. Extending the global environmental crisis currently escalating to its possible crippling conclusion Kashmere and Jehst descriptively track through the various attributes of a planet where man’s days are finite.
‘The sky’s burning, aviation is over, the ozone is gone, radiation exposure, can you handle all the dread, the ecosystem is fucked, all the animals are dead, could all have been avoided if we thought about the future, now it’s all up in the toilet, polar ice caps melting into the ocean, 200 ft tidal waves crashing over the barriers, to travel as far as the inner city, the one’s who escape will be the ones to write history, unless they cannibalise each other’s flesh, in a mess trying to rationalise each others deaths.’
There’s a heavily dystopian edge to a large bulk of the material on #LP4080 some of which sees Kashmere dwelling unnervingly close to the present day. Dipping their reptilian toes into the waters of political satire, one of Strange U’s most scathing tracks to date is Mr Kill, which dropped on Nov 11th last year. Featuring a nauseating mix of gross out imagery and depictions of excess with a darkly comic political narrative Kashmere tears into the political establishment by caricaturing the intentions behind the masks of our ruling elites. There’s an obvious added irony lurking in that when its rolling off the tongue of an abstract mask wearing counter-cultural poet such as Strange U’s front man.
For a cutting extension of Mr Kill (although it actually appears earlier on the LP), see also Hanging Chads for Kashmere’s campaign ad which says it all really about the political status quo as its remained unchanged in living memory. While this is essentially just a skit track, its worthy of mention as he hits the nail on the head when the preposterous disgusting nature of what he proposes in his bid for head of state is a clear mirror for the actions of our world leaders in reality. Its done simply but by putting crude satire in a psychedelic format that seems to distort reality it forces home how insane it is that the social destruction that he describes his intent for is actually far more of an honest depiction of how the powerful operate today than the sugar coated version we’re fed and come to accept to some extent as being real.
It’s worth mentioning that the videos for all singles off #LP4080 are another way in which Strange U have managed to forge a continuity between all facets of the project. A signature style visual jams together disturbing and pop culture footage and random images that look like they’ve been cut out of magazines with scissors. Bulletproof Moustache ft Lee Scott showcases intentionally shoddy camera work like a child filmed it on a camcorder in the early 90’s mixed with 8-Bit avatars of the two MCs spewing surrealist lyrics loaded with retro references colliding off juxtaposed pop culture clips. All of which compliments Zygote’s SNES style synths and bass nicely. Shots is another one to check and cracked me up multiple times. The scathing take on the hip hop mainstream and idiot culture in general, is effortlessly fuck you, intelligent and silly at the same time and the ridiculous video adds to the crease effect.
Going overboard on collaborations has been a common phenomenon on hip hop albums for a long while, with vastly varying levels of effectiveness. LPs saturated with guest spots on occasion are excitingly diverse but often come across as packing in too much filler or dick riding credible associations to pick up the slack for an inability of the title artist to provide enough fire to compose a dope album on their own. This in mind, you can’t really argue with the balance that Strange U have struck with features on #LP4080. Collabs are limited to four cameos. All of which are sick and don’t detract from Obiesie’s ownership of the lyrical terrain.
These team ups appear as contributions from industry legend Jehst and Blah Record’s main man Lee Scott (as already mentioned above) as well as verses from High Focus’s founding father Fliptrix and Nottingham rapper Cappo. As line ups go this one is pretty flawless. Every one of them steps up to the plate and kills it in keeping with the audio arena provided by Zygote and adds a complimentary texture to Kashmeres lyrical approach. Breaking from the verbal pace and flow style that is Kashmere’s signature throughout the rest of the album, on Illuminations the Iguana Man speeds up his verse to keep pace with Fliptrix’s excellent guest spot. Particularly as the instrumental is Zygote’s most chilled, spacey and minimal offering on #LP4080, this sudden alteration of momentum in the vocals towards the album’s end is a welcome shake up. Final track and penultimate single, Zuul, complete with 80’s b movie style ominous bass and a runaway metronome dot see’s Cappo throw down the gauntlet with an imagery laden boast rich in mind bending scheme extension.
Theres not much to level at #LP4080 in the way of criticism. If anything, it would be that most swords are double edged. Creating and maintaining a project that through its sound, lyrics and visuals has as much continuity as Strange U, amounting to being a defined artistic whole that has been a distinctive entity since its inception is very impressive. The one downside of this is that even if that entity is something as weird, wonderful and ingenuitive as Strange U, by the nature of being a specific thing it means that at its least stand out moments (of which there aren’t many on #LP4080) it can sound like ‘another Strange U beat’. As #LP4080 stands at a point where the group are fairly new and still very exciting this is barely a noticeable issue, particularly as the vast majority of the songs have something that give them an individual significance. The challenge for them with future releases will be to continue to surprise when the benchmark they’ve set for insanity thusfar is already more experimental than the majority of hip hop artists ever get.
Strange U, as the name suggests, aren’t ever going to be everyone’s cup of Tetley’s. Fans of a more standard UK hip hop beat and flow pattern or hip hop with a grimier edge may be likely to disregard them. While this means that they will most likely permanently occupy a specific niche in the UK scene without many comparable acts to keep them company in that space, it is also likely to ensure them dominance over it (in the short term at least) and a dedicated long term fan base. #LP4080 is a consolidation of an expectation of quality and integrity based on all the smaller releases that have come before it. Production and bars kill relentlessly from start to finish and I’d be very surprised to talk to fan’s of Kashmere, Zygote and Strange U who weren’t more than satisfied with this step in the Strange odyssey. The two artists are both pretty prolific so hopefully it won’t be too long before there is a new chapter. In the meantime, King Kashmere and Bambooman are releasing a short EP entitled Supergod on the 3rd of March and Strange U will be showcasing material off #LP4080 during the High Focus Records event at Concorde 2 in Brighton on March 10th.
#LP4080 is out now and available on High Focus Records.
‘Strange U’ to Headline Confucius Album Launch – London
Check out the first Manga influenced video to drop from the project ‘Ponder On This’ now available to download for free from theYNR Productions homepage ! !
Watch The Video
Look out for the album ‘The Highest Order’ dropping soon on YNR Productions
Check out the video for ‘Ponder On This’..
Check out the video for ‘Original’..
Phili N Dotz, Strange U, Prose and Oliver Sudden – Hoochinoo Live 07.06.2013
Phili N Dotz, Strange U (Kashmere and Dr Zygote), Prose and Oliver Sudden are at Hoochinoo Live on Friday 7th June. Hosted by Peaches and DJ Babyblu.
£5 on the door.
Vibe Bar (Upstairs), 91 Brick Lane, London E1 6QL
Strange U – Klaatu Barada Nikto
Brand new from Strange U – ‘Klaatu Barada Nikto’ on Eglo Records. Let us know what you think below…